After almost three years, the ground-up restoration of the ex-Anatoly Arutunoff Lancia Stratos HF Group 4, affectionately known as ‘The Duck’ thanks to its bulging bright yellow bodywork, is finally complete. This was the delivery sign-off shakedown, which pre-cursed a rather sad ‘arrivederci’ …
Unusually for a Stratos, its story was forged not on the special stages of the World Rally Championship, but rather on the history-steeped road-racing circuits of the United States of America. Originally built as a Giallo Fly road car with a Bleu interior (hence why it became affectionately known as ‘The Duck’), the car was acquired new by Oklahoma-based entrepreneur, Ferrari dealer and oil industry heir Anatoly ‘Toly’ Arutunoff. Arutunoff was the youngest son of Russian émigré Armais Arutunoff, who had built a sizeable fortune after inventing the world’s first submergible oil pump. A reportedly charming and colourful character, ‘Toly’ had begun racing in 1959 and, over the course of the next three decades, earned a number of accolades both stateside and in Europe.
On a brisk November morning in 1976, Arutunoff arrived at the Lancia factory in Turin to personally collect his new Stratos HF, for which he had paid the princely sum of 13,542 US dollars. Adorned with the temporary export registration ‘EE 74313’, this car was driven through the night to Cherbourg in Northern France, where it was loaded aboard the RMS Queen Elizabeth 2 and set sail for New York.
It gets better. Arutunoff took this Lancia fresh off the boat after its maiden voyage and drove 1,400 miles through thick snow and treacherous ice to Tulsa, Oklahoma. During the transatlantic crossing and with several hundred Stratos miles under his belt, ‘Toly’ had already begun to think about what special modifications he was going to make to his new car to make it as user-friendly and, perhaps most importantly, competitive on the racetrack as possible. Almost unbelievably, we have Arutunoff’s hand-written notes about the car on the RMS Queen Elizabeth-headed paper …
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by Max Girardo
Photographs: Gabriele Natalini for Girardo & Co.